Lina Selander's Exhibition Explores History Through Repetition and Re-editing of Film Works
At the Venice Biennale, Sweden's Lina Selander presents a collection of short films, photographs, and installations that delve into the roles of film and photography in documenting history. Notable pieces include 'Silphium' (2014), a collaboration with Oscar Mangione inspired by an extinct plant, and 'Model of Continuation' (2013), which employs a film-within-a-film format. Featured in 'Open System – Working Archive' (2015) are 'To the Vision Machine' (2013), a silphium coin, and images from 'Anteroom of the Real' (2011). The exhibition highlights themes of repetition, re-editing, and temporal distortion, drawing from Chris Marker's 'La Jetée' (1962). Selander's works, previously exhibited at Kunsthall Trondheim in 2014, received coverage in ArtReview's May 2015 edition.
Key facts
- Lina Selander is Sweden's representative at the Venice Biennale
- The exhibition includes the film 'Silphium' (2014) made with Oscar Mangione
- Silphium was a medicinal plant from ancient Cyrene in North Africa that went extinct
- Chris Marker's 'La Jetée' (1962) influences Selander's work
- 'Model of Continuation' (2013) features a film-within-a-film structure
- 'To the Vision Machine' (2013) documents Hiroshima's aftermath
- New work 'Open System – Working Archive' (2015) includes an iPad showing 'To the Vision Machine'
- Previous works were shown at Kunsthall Trondheim in 2014
Entities
Artists
- Lina Selander
- Oscar Mangione
- Chris Marker
Institutions
- Venice Biennale
- Kunsthall Trondheim
- ArtReview
Locations
- Sweden
- Venice
- Italy
- Cyrene
- North Africa
- Hiroshima
- Japan
- Trondheim
- Norway