Laurence Aëgerter's 'Longo Maï' Tapestries Weave Photography and Memory
Laurence Aëgerter's series 'Longo Maï' (2013–2020), on view at Galerie Binome in Paris until August 1, 2020, combines found internet photographs with tapestry weaving. The Occitan phrase 'longo maï' means 'long still' or 'may it last,' evoking suspended time. Aëgerter collected anonymous bather images, recomposed them on cardboard, and translated them into four large vertical tapestries. The works were originally created in 2013 for an invitation from Château Borély in Marseille, near her childhood home. The tapestries incorporate phosphorescent threads that glow at night, revealing residual light traces. The series explores materiality, tactility, and the transformation of representation, blending photography with textile craft to create a shared imaginary fabric of memory and sensation.
Key facts
- Laurence Aëgerter created the series 'Longo Maï' between 2013 and 2020.
- The series comprises four large vertical tapestries.
- The tapestries are made from found anonymous internet photographs of bathers.
- The work was originally commissioned by Château Borély in Marseille.
- The tapestries include phosphorescent threads that glow at night.
- The series is exhibited at Galerie Binome in Paris until August 1, 2020.
- The title 'Longo Maï' is Occitan for 'long still' or 'may it last.'
- The tapestries combine photography and tapestry weaving.
Entities
Artists
- Laurence Aëgerter
Institutions
- Galerie Binome
- Château Borély
Locations
- Paris
- France
- Marseille
Sources
- artpress —