Latifa Echakhch's 'Tkaf' at Galerie Kamel Mennour
Latifa Echakhch's exhibition 'Tkaf' (meaning 'bad luck' in Arabic) at Galerie Kamel Mennour in Paris (February 7 – March 10, 2012) features broken bricks arranged on the floor against a red-stained wall, inspired by a Moroccan sanctuary where sorcery is still practiced. The reddish colors also reference the 1980s TV special 'What Have We Learned, Charlie Brown?', which claimed poppies turned red from soldiers' blood in World War I. The installation spills across three rooms, structuring the show. In the back, hats filled with black ink lie scattered on the floor in 'Mer d'encre', evoking absent bodies and death. Echakhch recently showed similar works at Museum Haus Esters in Krefeld, designed by Mies van der Rohe, where the hats were Bavarian-style; here they recall Joseph Beuys's or Magritte's surrealist hats. A series of large tondos with dripped ink resemble melancholic black suns, referencing conceptual art. In the final room, a white shirt on a rack and jasmine garlands sold by street vendors create a scent that fades over the exhibition's duration. Echakhch's work often uses archaic materials, implied bodily presence, and art-historical references, as in her 2008 Tate Modern piece 'Speaker's Corner' with carbon paper sheets evoking revolutionary tracts and Yves Klein's blue. The exhibition also runs at Kunsthalle Basel from April 1 to May 27.
Key facts
- Exhibition 'Tkaf' by Latifa Echakhch at Galerie Kamel Mennour, Paris, February 7 – March 10, 2012.
- Title 'Tkaf' means 'bad luck' in Arabic.
- Central installation features broken bricks on floor against red-stained wall, inspired by a Moroccan sanctuary for sorcery.
- Red colors reference 1980s TV special 'What Have We Learned, Charlie Brown?' linking poppies to soldiers' blood in WWI.
- Work 'Mer d'encre' consists of hats filled with black ink scattered on floor.
- Echakhch recently exhibited similar works at Museum Haus Esters, Krefeld, designed by Mies van der Rohe.
- Hats in Paris recall those of Joseph Beuys and Magritte.
- Series of large tondos with dripped ink resemble black suns, referencing conceptual art.
- Final room includes a white shirt on a rack and jasmine garlands from street vendors, scent fading over time.
- Echakhch's 2008 Tate Modern work 'Speaker's Corner' used carbon paper sheets referencing revolutionary tracts and Yves Klein's blue.
- Exhibition also at Kunsthalle Basel from April 1 to May 27.
Entities
Artists
- Latifa Echakhch
- Joseph Beuys
- René Magritte
- Yves Klein
- Mies van der Rohe
Institutions
- Galerie Kamel Mennour
- Museum Haus Esters
- Tate Modern
- Kunsthalle Basel
Locations
- Paris
- France
- Krefeld
- Germany
- Basel
- Switzerland
- Morocco
Sources
- artpress —