Larry Zox's Hard-Edge Paintings at Stephen Haller Gallery Challenge 1960s Formalism
From February 26 to April 5, 2005, the Stephen Haller Gallery in New York hosted an exhibition that celebrated Larry Zox's artistic journey over five decades. It posited that Zox's hard-edge paintings from the mid-to-late 1960s blended reductive art with the fervor of the Civil Rights and anti-Vietnam War movements, moving beyond Greenbergian Post-Painterly Abstraction. Featured works included 'Diagonal I' (1965), 'Green Diamond Drill: Keokuk' (1968), and selections from the Diamond Cut and Scissors Jack series, showcasing his mastery of color and pictorial tension. The exhibition drew comparisons to artists like Frank Stella and Helen Frankenthaler, noted a decline in the Gemini series' energy, and emphasized a revival in 'Algonkin I' (2004), while also linking Zox's work to Barry Le Va's sculptures.
Key facts
- Exhibition dates: February 26 to April 5, 2005
- Venue: Stephen Haller Gallery at 542 26th Street, New York 10001
- Featured artist: Larry Zox
- Key works include 'Diagonal I' (1965), 'Green Diamond Drill: Keokuk' (1968), and 'Algonkin I' (2004)
- Zox's paintings compared to Barry Le Va's sculpture and Frank Stella's 'Protractor' series
- Exhibition argues Zox's work reflects 1960s social energy, unlike softer Post-Painterly Abstraction
- Zox's style declined in Gemini series and early 1970s, but revived in 2004
- Review published on artcritical.com on March 1, 2005
Entities
Artists
- Larry Zox
- Barry Le Va
- Frank Stella
- Jules Olitski
- Helen Frankenthaler
- Kenneth Noland
- Friedel Dzubas
- Mondrian
Institutions
- Stephen Haller Gallery
- ICA in Philadelphia
- Jacobson-Howard
- Kasmin
- artcritical.com
Locations
- New York
- United States
- Chelsea
- Philadelphia
- Pennsylvania