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LACMA's Geffen Building Criticized for Architecture Overwhelming Art

opinion-review · 2026-04-20

The Geffen building at the Los Angeles County Museum of Art has drawn criticism for its architectural design, which is said to overpower the artworks displayed within. One gallery, described as a concrete bunker, creates challenging viewing conditions for masterpieces like Georges de La Tour's "The Magdalen With the Smoking Flame" (c. 1635-37). The painting, considered one of LACMA's most important works, struggles against the cavernous spaces and imposing walls of the structure. This critique was published in The Wall Street Journal, highlighting tensions between architectural ambition and art presentation. The museum's new building raises questions about how museum architecture should serve rather than dominate the art it houses.

Key facts

  • The Geffen building at LACMA has been criticized for its architecture overwhelming artworks
  • One gallery is described as a concrete bunker
  • Georges de La Tour's "The Magdalen With the Smoking Flame" (c. 1635-37) is specifically mentioned as struggling in the space
  • The painting dates from approximately 1635-1637
  • The critique was published in The Wall Street Journal
  • The architecture features hulking walls and cavernous spaces
  • The building creates challenging viewing conditions for art
  • The criticism focuses on how museum architecture can dominate rather than serve art

Entities

Artists

  • Georges de La Tour

Institutions

  • Los Angeles County Museum of Art
  • The Wall Street Journal

Locations

  • Los Angeles
  • United States

Sources