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Laboratoire Agit'Art's Independent Exhibition at Dak'art 13th Biennale Analyzed

opinion-review · 2026-04-19

Sophia Powers authored an essay analyzing the relationship between the Dak'art Biennale and an independent exhibition titled "The Bell of the Ants." This exhibition was organized by the Dakar-based collective Laboratoire Agit'Art during the 13th edition of the biennial. The show was not included in the official program but stood out as one of the most remarkable presentations. Powers' historically-grounded analysis explores tensions between global and local aspirations within the biennial context. The essay examines modern and contemporary formulations embodied by both the exhibition and the larger event. Published in ARTMargins Online's Volume 9 Issue 2 in 2020, the content requires a subscription to access. The Massachusetts Institute of Technology holds copyright alongside ARTMargins for this material. The analysis focuses on the dynamic between official programming and independent initiatives within major international art events.

Key facts

  • Sophia Powers wrote an essay analyzing Laboratoire Agit'Art's exhibition
  • "The Bell of the Ants" was an independent exhibition at Dak'art 13th Biennale
  • The exhibition was organized by Dakar-based collective Laboratoire Agit'Art
  • The show was not part of the official biennial program
  • The essay explores tensions between global and local aspirations
  • Analysis examines modern and contemporary formulations
  • Published in ARTMargins Online Volume 9 Issue 2 in 2020
  • Content requires subscription and is copyrighted by ARTMargins and MIT

Entities

Artists

  • Sophia Powers

Institutions

  • Laboratoire Agit'Art
  • ARTMargins
  • Massachusetts Institute of Technology
  • Dak'art Biennale
  • Laboratoire Agit’Art
  • Dak’art Biennale
  • ARTMargins Online
  • MIT Press

Locations

  • Dakar
  • Senegal

Sources