L'Attrait du téléphone: Film and Phone Interplay Explored
Emmanuelle André and Dork Zabunyan co-author "L'Attrait du téléphone," published by Yellow Now, examining the aesthetic, fictional, and philosophical intersections of cinema and the telephone. Rather than a general theory, the book presents a conversation on problems the telephone poses to cinema and how cinema shapes them. Each chapter dissects topics like voice dislocation, surveillance imagery, geometric dispersions of urban space, blind oral testimony (citing Avi Mograbi), and identity blurring. The telephone's core components—separation and speed—activate cinematic codes: muteness, off-screen space, voice without body, split screen, and parallel editing. The authors argue this aesthetic repertoire defines modernity, where cinema and telephone complement each other as ubiquitous media invested with symbolic beliefs, their transparent forms integrated into habits yet effective. The book includes numerous film analyses.
Key facts
- Book titled 'L'Attrait du téléphone' by Emmanuelle André and Dork Zabunyan
- Published by Yellow Now
- Explores relationships between cinema and telephone
- Each chapter written by one author
- Covers aesthetic, fictional, and philosophical capacities of the telephone
- Topics include voice dislocation, surveillance, geometric dispersions, blind testimony
- Cites filmmaker Avi Mograbi
- Telephone's essential components: separation and speed
Entities
Artists
- Emmanuelle André
- Dork Zabunyan
- Avi Mograbi
Institutions
- Yellow Now
Sources
- artpress —