Kunié Sugiura's Six-Decade Retrospective at SFMOMA
SFMOMA presents 'Photopainting,' a retrospective of Kunié Sugiura spanning six decades, featuring over 60 works that blend photography with painting, drawing, and sculpture. Sugiura, who moved from Nagoya to Chicago for art school, incorporates Japanese aesthetics and techniques like graphite on photographs, cameraless photograms, X-rays, and irregular frames. Her early 'Cko' series (1966–67) uses fisheye lenses and psychedelic colors to explore solitude and existentialism, influenced by Albert Camus, Jean-Paul Sartre, and Simone de Beauvoir. Moving to New York in 1967, she engaged with Pop art while generating her own imagery, as seen in works like 'Deadend Street' (1978), which uses four panels and a blank space to evoke the Japanese concept of 'ma' (pause). Later pieces like 'Embriwhoooh' (1995) suture X-ray fragments to comment on life's precariousness. The exhibition runs through September 14, 2025.
Key facts
- Kunié Sugiura's retrospective 'Photopainting' at SFMOMA includes over 60 works from six decades.
- Sugiura applies graphite to photographs in works like 'Yellow Mum' (1969) and 'Sea Shell II' (1969).
- The exhibition features cameraless photograms, X-rays, and irregularly shaped frames.
- Her 'Cko' series (1966–67) uses fisheye lenses and psychedelic colors to explore solitude.
- The title 'Cko' plays on the Japanese word 'kodoku' meaning solitude.
- Sugiura moved to New York in 1967 and was influenced by Pop art but generated her own imagery.
- 'Deadend Street' (1978) uses four panels and a blank space to evoke the Japanese concept of 'ma'.
- 'Embriwhoooh' (1995) sutures X-ray fragments from different bodies to comment on life's precariousness.
Entities
Artists
- Kunié Sugiura
- Albert Camus
- Jean-Paul Sartre
- Simone de Beauvoir
- Robert Rauschenberg
- Jasper Johns
- Andy Warhol
- Piet Mondrian
Institutions
- SFMOMA
- ArtReview Asia
Locations
- Nagoya
- Chicago
- New York City
- San Francisco
- United States