Kopalnia Magazine's World Cup 2026 Issue: Ania Wieluńska's Black-Only Design
The latest edition of Kopalnia Magazine, focusing on the 2026 World Cup, features a design by Ania Wieluńska that highlights context-sensitive typography and utilizes a minimalist black-only printing approach. The editorial layout is structured with a precise modular grid, effectively arranging long-form articles, illustrations, and a clear hierarchy, which creates a visual rhythm through the interplay of negative space and bold ink. Each piece retains its unique character while conforming to a geometric framework, resulting in a cohesive yet lively publication. Wieluńska’s design emphasizes typographic scaling and baseline alignment, transforming typography into a tactile experience with raw textures and visible binding. The use of black-only printing adds depth without color, anchoring the design in traditional principles. This study of design underscores the significance of print in a predominantly digital age, steering clear of generic trends and celebrating materiality and tactile differences, culminating in a collectible piece that pays homage to sports journalism. For a complete gallery and more information, visit Ania Wieluńska's website.
Key facts
- Kopalnia Magazine issue 2 is themed around the 2026 World Cup.
- The design is by Ania Wieluńska.
- The design uses context-driven typography and black-only printing.
- The layout uses a modular grid for long-form essays and illustrations.
- Typography is described as tactile, with raw texture and exposed binding.
- The design aims to convey depth without color.
- The publication is positioned as a collectible artifact in a digital-first era.
- The design study is featured on Abduzeedo.
Entities
Artists
- Ania Wieluńska
Institutions
- Kopalnia Magazine
- Abduzeedo