Konrad Krzyżanowski and Joanna Wierzbicka at bliss, Warsaw
The exhibition “Through Veins and Shadows” at bliss gallery in Warsaw pairs Konrad Krzyżanowski and Joanna Wierzbicka. Krzyżanowski’s paintings deconstruct memory through fragmented imagery, referencing William S. Burroughs and Dadaist collage. His work explores queerness, male vulnerability, and heteronormative critique. Wierzbicka’s sculptures use fabrics and organic materials to evoke body horror and embodied memory. New metal floor sculptures resemble skeletal and embryonic forms. Both artists examine the permeability of boundaries between interior/exterior, human/non-human, and subjective/collective time.
Key facts
- Exhibition 'Through Veins and Shadows' at bliss gallery, Warsaw
- Features Konrad Krzyżanowski and Joanna Wierzbicka
- Krzyżanowski's paintings use personal archives and found imagery
- His work references William S. Burroughs and Dadaist sensibility
- Addresses queerness, male vulnerability, heteronormative codes
- Wierzbicka's practice includes sculpture, photography, installation
- Uses fabrics, second-hand clothing, organic materials
- New metal floor sculptures evoke skeletal and embryonic forms
Entities
Artists
- Konrad Krzyżanowski
- Joanna Wierzbicka
- William S. Burroughs
Institutions
- bliss gallery
Locations
- Warsaw
- Poland