Koji Ryui's Spiritual Materialism Explored in ArtReview Asia Feature
Koji Ryui focuses on honoring traditional values rather than chasing digital trends. He moved from Kyoto to Sydney in 1992, diving deep into Japanese rituals, Shinto beliefs, and animism. These influences are evident in his work, where objects take on a spiritual essence beyond their mere appearance. His A-Un series, created between 2016 and 2017, features pairs of clay heads on found blocks, highlighting one figure with an open mouth (A) and another with a closed mouth (Un). These sculptures are inspired by Ancient Greek art and various narratives, blending the spiritual with the physical. Recently, Ryui showcased his art at the 21st Biennale of Sydney, curated by Mami Kataoka, and is represented by Sarah Cottier Gallery. This summary is from the Summer 2018 edition of ArtReview Asia, written by curator Micheal Do.
Key facts
- Koji Ryui moved from Kyoto to Sydney in 1992
- Ryui's work draws from Japanese ritual, Shintoism, and animism
- His series A-Un was created between 2016 and 2017
- The series features clay heads arranged on found chocks
- Figures reference Ancient Greek sculpture and Quasimodo-like faces
- Ryui exhibited at the 21st Biennale of Sydney curated by Mami Kataoka
- He is represented by Sarah Cottier Gallery in Sydney
- The feature appears in ArtReview Asia's Summer 2018 issue
Entities
Artists
- Koji Ryui
- Mami Kataoka
- Micheal Do
Institutions
- ArtReview Asia
- 21st Biennale of Sydney
- Sarah Cottier Gallery
- K11 Art Foundation
- Casula Powerhouse Arts Centre
- 4A Centre for Contemporary Asian Art
Locations
- Sydney
- Australia
- Kyoto
- Japan