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Klaus Merkel and Christian Rothmaler's Secessionist Art Strategies Explored in Exhibition Context

opinion-review · 2026-04-21

In 1992, Klaus Merkel, who was born in Freiburg in 1953, established a systematic technique for painting, creating miniature inventories of earlier exhibitions on fresh canvases to develop his unique rhythm. Christian Rothmaler, an art student from Hamburg born in 1982, encountered Merkel's art through the exhibition catalog of "TheMostContemporaryPictureShow,Actually" at Kunsthalle Nürnberg, which took place from November 2006 to January 2007 and included Merkel among others. Both artists intentionally distance themselves from contemporary trends. Philosopher Christoph Paret remarked in Lettre International on their deliberate retreat from institutional validation. Their artworks exhibit compositional clarity and metaphorical barriers against modern pressures. Other artists referenced include Stella Sieber (born 1992), Peter Wächtler (born 1979), Mara Wohnhaas (born 1997), and Nicolas Rausch (born 1998).

Key facts

  • Klaus Merkel began his inventory painting method in 1992
  • Christian Rothmaler discovered Merkel's work through a 2006-2007 exhibition catalog
  • "TheMostContemporaryPictureShow,Actually" ran from November 2006 to January 2007 at Kunsthalle Nürnberg
  • The exhibition featured Michael Krebber, René Daniëls, and Klaus Merkel
  • Philosopher Christoph Paret wrote about secessionist principles in Lettre International
  • Merkel and Rothmaler never met in person but their works are in dialogue
  • The text references artists Stella Sieber, Peter Wächtler, Mara Wohnhaas, and Nicolas Rausch
  • The discussion critiques contemporary art's emphasis on openness and inclusion

Entities

Artists

  • Klaus Merkel
  • Christian Rothmaler
  • Michael Krebber
  • René Daniëls
  • Stella Sieber
  • Peter Wächtler
  • Mara Wohnhaas
  • Nicolas Rausch

Institutions

  • Kunsthalle Nürnberg
  • Lettre International

Locations

  • Freiburg
  • Germany
  • Hamburg
  • Nürnberg

Sources