Kiliii Yüyan Challenges Pristine Wilderness Myths Through Photography
Kiliii Yüyan, a Nanai (Siberian Native) and Chinese-American photographer, examines human-nature relationships across cultural perspectives, countering traditional landscape photography ideals exemplified by Ansel Adams's Yosemite Valley images. His work reveals how indigenous communities, from Greenland's Arctic coasts to São Paolo's urban districts, maintain stewardship roles, managing lands with direct impacts. Photographs depict subtle human influences, such as landfills serving as wildlife refuges and climate change increasing mosquitoes carrying avian malaria in northern regions. Conversely, positive interactions include renewable geothermal pipelines in forests, endangered condors surviving on rancher-donated carcasses, and Alaskan peoples sustainably harvesting whales while doubling populations over decades. Yüyan argues that wilderness has always been shaped by human activity, urging a shift from disconnection to responsible stewardship, highlighting complex natural systems and our intricate roles within them.
Key facts
- Kiliii Yüyan is a Nanai (Siberian Native) and Chinese-American photographer
- He explores human-nature relationships from diverse cultural viewpoints
- Traditional nature photography often depicts wilderness as pristine and people-free, like Ansel Adams's Yosemite Valley images
- Indigenous peoples worldwide continue to steward lands, as seen in Greenland and São Paolo
- Human impacts on nature include landfills becoming wildlife refuges and climate change affecting mosquito populations
- Positive examples involve geothermal pipelines, condors fed by ranchers, and sustainable whale harvesting in Alaska
- Wilderness has been managed by humans since their arrival on each continent
- The work advocates for renewed stewardship over natural systems
Entities
Artists
- Kiliii Yüyan
- Ansel Adams
Institutions
- ArtReview
Locations
- Yosemite Valley
- Greenland
- São Paolo
- Alaska
- Siberia
- China
- United States