Kevin Beasley's Accumulation as Medium at Regen Projects
Kevin Beasley's exhibition 'What Delineates the Edge' at Regen Projects in Los Angeles, on view through August 16, 2025, explores American consumer culture through accumulation. The show features mixed-media wall reliefs and floor sculptures made from resin, found objects, fabrics, and raw Virginia cotton. Works like 'Synthesizer III' and 'Synth XI' incorporate clothing, gingham, and T-shirts, while 'They know me better than anyone else' uses a barred plywood frame with carbon fibers. Beasley's earlier works include a 2014 DJ set at the Studio Museum in Harlem about Michael Brown's shooting and a 2018 Whitney solo debut with a cotton gin motor. The exhibition critiques collector and institutional demands, though some pieces lack clear commentary. The review is from the September 2025 issue of ArtReview.
Key facts
- Exhibition titled 'What Delineates the Edge' at Regen Projects, Los Angeles
- On view through August 16, 2025
- Features mixed-media works using resin, found objects, fabrics, and raw Virginia cotton
- Works include 'Synthesizer III', 'Synth XI', 'They know me better than anyone else', and 'The beginning of you and the end of me.'
- Beasley's 2014 DJ set at Studio Museum in Harlem addressed Michael Brown's shooting
- Beasley's 2018 Whitney solo debut used a cotton gin motor
- Review published in ArtReview September 2025 issue
- Exhibition critiques American consumer culture and accumulation
Entities
Artists
- Kevin Beasley
Institutions
- Regen Projects
- Studio Museum in Harlem
- Whitney Museum of American Art
- ArtReview
Locations
- Los Angeles
- United States