ARTFEED — Contemporary Art Intelligence

Kevin Beasley's Accumulation as Medium at Regen Projects

exhibition · 2026-04-24

Kevin Beasley's exhibition 'What Delineates the Edge' at Regen Projects in Los Angeles, on view through August 16, 2025, explores American consumer culture through accumulation. The show features mixed-media wall reliefs and floor sculptures made from resin, found objects, fabrics, and raw Virginia cotton. Works like 'Synthesizer III' and 'Synth XI' incorporate clothing, gingham, and T-shirts, while 'They know me better than anyone else' uses a barred plywood frame with carbon fibers. Beasley's earlier works include a 2014 DJ set at the Studio Museum in Harlem about Michael Brown's shooting and a 2018 Whitney solo debut with a cotton gin motor. The exhibition critiques collector and institutional demands, though some pieces lack clear commentary. The review is from the September 2025 issue of ArtReview.

Key facts

  • Exhibition titled 'What Delineates the Edge' at Regen Projects, Los Angeles
  • On view through August 16, 2025
  • Features mixed-media works using resin, found objects, fabrics, and raw Virginia cotton
  • Works include 'Synthesizer III', 'Synth XI', 'They know me better than anyone else', and 'The beginning of you and the end of me.'
  • Beasley's 2014 DJ set at Studio Museum in Harlem addressed Michael Brown's shooting
  • Beasley's 2018 Whitney solo debut used a cotton gin motor
  • Review published in ArtReview September 2025 issue
  • Exhibition critiques American consumer culture and accumulation

Entities

Artists

  • Kevin Beasley

Institutions

  • Regen Projects
  • Studio Museum in Harlem
  • Whitney Museum of American Art
  • ArtReview

Locations

  • Los Angeles
  • United States

Sources