Kaufmann and Mabunda's Art-Meets-Weapons Dialogue in Milan
The Giovanni Bonelli gallery in Milan presents a two-person exhibition pairing Massimo Kaufmann's abstract paintings with Gonçalo Mabunda's sculptures made from decommissioned weapons. Kaufmann (born 1963 in Milan) creates colorful, non-narrative works that avoid symbolism, emphasizing an impersonal vision and tactile qualities through systematic gesture. Mabunda (born 1975 in Maputo, Mozambique) transforms disassembled bullets, rifles, rockets, and machine-gun parts into grotesque tribal masks and symbolic, parodic thrones. His work condemns the sixteen-year civil war that ravaged Mozambique, repurposing cold war scrap into expressive forms without diminishing its power. The contrast between Kaufmann's lyrical warmth and Mabunda's cold iron highlights a dialogue on materiality and meaning. The exhibition runs at Galleria Giovanni Bonelli in Milan.
Key facts
- Exhibition at Galleria Giovanni Bonelli, Milan
- Features Massimo Kaufmann (born 1963, Milan) and Gonçalo Mabunda (born 1975, Maputo, Mozambique)
- Kaufmann's abstract paintings avoid narrative and symbolism, focusing on impersonal vision and tactile qualities
- Mabunda's sculptures use decommissioned weapons from Mozambique's civil war
- Mabunda's works include bullets, rifles, rockets, machine-gun parts transformed into masks and thrones
- Mabunda's art condemns the sixteen-year civil war in Mozambique
- Kaufmann's paintings reflect order and systematic gesture
- Exhibition curated by Giulia Pacelli
Entities
Artists
- Massimo Kaufmann
- Gonçalo Mabunda
- Giulia Pacelli
Institutions
- Galleria Giovanni Bonelli
Locations
- Milan
- Italy
- Maputo
- Mozambique