ARTFEED — Contemporary Art Intelligence

Katrín Sigurdardóttir on representing Iceland at the Venice Biennale

exhibition · 2026-05-01

Katrín Sigurdardóttir, representing Iceland at the Venice Biennale, discusses her project at Palazzo Zenobio Collegio Armeno Moorat. The work, almost complete, continues her exploration of place and memory, focusing on cultural rather than personal memory, akin to her 2010 Met pieces. She mines architectural discipline, creating an unorthodox use of history. Sigurdardóttir finds representing Iceland unproblematic, enjoying collaboration with Icelandic colleagues. She does not target a specific audience, believing viewers reflect themselves in the work. The piece will later travel to Reykjavík and New York. Her first Biennale memory is Francesco Bonami's 2003 exhibition. She looks forward to seeing friends' works and discovering new artists.

Key facts

  • Katrín Sigurdardóttir represents Iceland at the Venice Biennale.
  • The pavilion is at Palazzo Zenobio Collegio Armeno Moorat.
  • The work is almost complete and continues her exploration of place and memory.
  • It focuses on cultural memory, similar to her 2010 Met works.
  • She mines the discipline of architecture.
  • The piece will travel to Reykjavík and New York after Venice.
  • Her first Biennale memory is Francesco Bonami's 2003 exhibition.
  • She looks forward to seeing friends' works and discovering new artists.

Entities

Artists

  • Katrín Sigurdardóttir
  • Francesco Bonami

Institutions

  • ArtReview
  • Metropolitan Museum of Art
  • Venice Biennale
  • Palazzo Zenobio Collegio Armeno Moorat

Locations

  • Venice
  • Italy
  • Reykjavík
  • Iceland
  • New York
  • United States
  • Fondamenta del Soccorso

Sources