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Kathy Acker Exhibition at ICA London Critiqued for Emphasizing Persona Over Literary Work

opinion-review · 2026-04-20

The exhibition titled 'I, I, I, I, I, I, I, Kathy Acker' was held at the Institute of Contemporary Arts in London from 1 May to 4 August 2019, emphasizing Acker's personal journey over her literary contributions. It included a timeline showcasing her publications, plywood mazes, and display cases featuring manuscripts such as 'Great Expectations' (1982) and Julia Kristeva's 'Powers of Horror' (1980). Archival materials featured Acker's readings for Channel 4 and a 1974 video, 'The Blue Tape,' with Alan Sondheim. The exhibit linked Acker to modern queer artists and writers. Critics remarked that it sidestepped her intricate ties to appropriation art, offering a desexualized queer perspective while underscoring her critique of originality and focus on bourgeois heterosexuality.

Key facts

  • Exhibition 'I, I, I, I, I, I, I, Kathy Acker' held at Institute of Contemporary Arts, London
  • Dates: 1 May – 4 August 2019
  • Featured manuscripts including 'Great Expectations' (1982) and annotated books like Julia Kristeva's 'Powers of Horror' (1980)
  • Included video works: 'The Blue Tape' (1974) with Alan Sondheim and Channel 4 readings
  • Connected Acker to contemporary artists: Every Ocean Hughes, Candice Lin, Patrick Staff, Jamie Crewe
  • Mentioned writers Isabel Waidner and D. Mortimer
  • Critique highlights focus on Acker's persona over literary work, influenced by biographies by Chris Kraus (2017) and Olivia Laing (2018)
  • Acker's stated rejection of originality and interest in appropriation art, citing Sherrie Levine

Entities

Artists

  • Kathy Acker
  • Alan Sondheim
  • Every Ocean Hughes
  • Candice Lin
  • Patrick Staff
  • Jamie Crewe
  • Isabel Waidner
  • D. Mortimer
  • Sherrie Levine
  • Richard Prince
  • Julia Kristeva
  • Chris Kraus
  • Olivia Laing

Institutions

  • Institute of Contemporary Arts
  • Channel 4
  • ArtReview

Locations

  • London
  • United Kingdom

Sources