ARTFEED — Contemporary Art Intelligence

Kane Parsons: From YouTube to Hollywood with A24's 'Backrooms'

artist · 2026-08-01

At the age of sixteen, Kane Parsons produced a viral short film that transformed into 'Backrooms', an A24 project. A self-taught creator, he started learning visual effects online at ten and has crafted nearly four hundred videos that remain unpublished. He also creates music under the name Kane Pixels. During a press conference on July 31, Parsons characterized the film as a natural progression from his YouTube series, emphasizing emotional connections over horror elements. He utilized a RED Komodo for digital shooting, later transferring the footage to VHS to achieve analog flaws. Rather than focusing on horror, he delves into themes of memory and nostalgia, representing a new wave of filmmakers influenced by internet culture and self-directed learning.

Key facts

  • Kane Parsons, 16, created a viral YouTube short film that became the A24 film 'Backrooms'.
  • Parsons is self-taught, learning Blender and After Effects via online tutorials.
  • He began designing virtual spaces at age ten playing LittleBigPlanet.
  • He produced nearly 400 unpublished videos before going viral.
  • He composes his own music under the name Kane Pixels.
  • International press conference held on July 31.
  • Parsons sees the film as a natural evolution of his YouTube series, not a break.
  • The film was shot digitally with a RED Komodo, then transferred to VHS and re-digitized.
  • Parsons rejects the horror label, aiming for introspection rather than scares.
  • The film explores existential themes like memory, grief, and nostalgia.
  • Parsons attributes human qualities to buildings, imagining the Backrooms as a living organism.
  • He considers some of his favorite pieces those made with zero budget for YouTube.

Entities

Artists

  • Kane Parsons
  • Kane Pixels
  • Zach Cregger
  • Philippou brothers

Institutions

  • A24
  • YouTube
  • Blender
  • After Effects
  • LittleBigPlanet
  • RED Komodo
  • el Hype

Sources