Kai Althoff's MoMA Installation Blurs Autobiography and Artifact in Sensory Overload
At the Museum of Modern Art in New York, an immersive installation by Kai Althoff has transformed several galleries into a tent-like environment filled with personal items and artworks, open until January 22. This exhibit includes a unique perfume and original music composed by Althoff, along with his paintings, drawings, and a collection of objects such as dolls and perfume bottles. The thematic exploration addresses homoerotic dysfunction in twentieth-century Germany, featuring androgynous boys and Hasidic Jews, with stylistic influences from Emil Nolde and Egon Schiele. A painting marked 'Ich bins' highlights the autobiographical aspect of the show. The disordered layout symbolizes fragmented memory, and DovBer Naiditch points out elements that evoke Messianic Time. Althoff's interview reveals a delicate self, encouraging viewer interaction.
Key facts
- Kai Althoff created an installation at MoMA New York
- The exhibition runs through January 22
- The space features white fabric tents and a custom perfume
- Artworks include paintings, drawings, and collected objects
- Themes explore German history and homoerotic dysfunction
- Stylistic influences include Emil Nolde and Egon Schiele
- A Lubavitch rabbi, DovBer Naiditch, contributed to the catalogue
- The show is reviewed in the January & February 2017 issue of ArtReview
Entities
Artists
- Kai Althoff
- Joseph Beuys
- Emil Nolde
- André Thomkins
- Egon Schiele
Institutions
- Museum of Modern Art
- ArtReview
Locations
- New York
- United States
- Germany