Kader Attia's 'A Descent into Paradise' at MUAC Explores Repair and Coloniality
Kader Attia's exhibition 'A Descent into Paradise' at Museo Universitario Arte Contemporáneo (MUAC) presents a political-theological interpretation of modernization through recent works. The show examines repair as a social and aesthetic operator, addressing cultural scars from colonialism and bodily mutilations. Attia's installations combine erudition, critique, and astonishment, engaging with postcolonial experience and the articulation of trauma and aesthetics. Works like 'Some Modernity’s Footprints' (2018) use materials such as wooden railway sleepers and metal staples to critique modernity's myths. The exhibition runs at MUAC, with details available on the museum's website.
Key facts
- Exhibition titled 'A Descent into Paradise'
- Artist: Kader Attia
- Venue: Museo Universitario Arte Contemporáneo (MUAC)
- Focus on repair as social and aesthetic operator
- Addresses coloniality and modernity
- Includes work 'Some Modernity’s Footprints' (2018)
- Installation uses wooden railway sleepers and metal staples
- Exhibition presents political-theological interpretation of modernization
Entities
Artists
- Kader Attia
Institutions
- Museo Universitario Arte Contemporáneo (MUAC)
Locations
- Mexico City
- Mexico