ARTFEED — Contemporary Art Intelligence

Julianne Swartz's sound sculptures at Josée Bienvenu Gallery blend delicate nets with manipulated audio

exhibition · 2026-04-22

Julianne Swartz showcased 'Void Weaves, Bone Scores' at the Josée Bienvenu Gallery in New York City from November 14, 2017, to January 13, 2018. This exhibition included unique wire sculptures that produced sounds derived from digital recordings, such as breathing, fireworks, and a Geiger counter. Notable pieces, including 'Bone Score (Tangle), 2016' and 'Bone Score (drum), 2016,' incorporated unglazed porcelain and stainless steel, generating sounds that ranged from a heartbeat to a Beatles tune. The audio was altered to achieve an abstract quality, evoking an eerie atmosphere. The exhibition drew inspiration from John Cage and musique concrète, exploring complex themes around well-being. The gallery is situated at 529 West 20th Street, between 10th and 11th avenues.

Key facts

  • Exhibition dates: November 14, 2017 to January 13, 2018
  • Location: Josée Bienvenu Gallery, 529 West 20th Street, New York City
  • Artist: Julianne Swartz
  • Exhibition title: Void Weaves, Bone Scores
  • Sound sources include breathing, Geiger counter, fireworks, electrical current
  • Materials include unglazed porcelain, stainless steel, magnetic wire, magnets, abaca paper, wood
  • Sounds are digitally manipulated to near abstraction
  • References John Cage, musique concrète, and Paul Klee's Twittering Machine

Entities

Artists

  • Julianne Swartz
  • John Cage
  • Paul Klee

Institutions

  • Josée Bienvenu Gallery

Locations

  • New York City
  • United States

Sources