Julian Spalding's Memoir Critiques Conceptual Art and British Art Establishment

Julian Spalding's memoir, Art Exposed, recounts his career as a museum director and critic, challenging conceptual art's dominance since the 1960s. He argues for valuing craftsmanship over theory, detailing encounters with figures like David Hockney and David Bowie, who shared his skepticism. Spalding recalls Bowie visiting him unannounced in the pre-Tate Modern era to discuss their opposition to conceptual trends. The book covers his roles leading museums in Sheffield, Manchester, and Glasgow, highlighting his populist approach and working-class origins. He faced institutional resistance, such as being told during a V&A director interview that ideas were unwanted and learning the Tate director position was earmarked for Nicholas Serota. Spalding critiques Serota's leadership and broader shifts in art institutions toward managerial opacity. Published by Pallas Athene at £17.99, the memoir reflects on debates over art's public value, craft versus concept, and the influence of the art market. It includes anecdotes about forgotten artists and cultural bureaucrats, framing a period when visual art's role was hotly contested.