ARTFEED — Contemporary Art Intelligence

Judy Chicago: A Reckoning at ICA Miami

exhibition · 2026-05-04

On December 4, 2018, the Institute of Contemporary Art (ICA) in Miami unveiled 'Judy Chicago: A Reckoning,' featuring seven distinct works spanning from the 1960s to the 1990s. The exhibition, which occupies a full floor, includes both well-known and lesser-known pieces, such as 'Sunset Squares' (1965), recreated specifically for this event, and car hoods adorned with stylized representations of female reproductive organs. The 79-year-old feminist artist led a press tour, highlighting 'Heaven is for White Men Only' (1973), a commentary on gender and race. Additionally, three large canvases, previously exhibited in 1984, explore the effects of male dominance on the environment. A site-specific sculpture is set to debut in February 2019. Max Mara is sponsoring the exhibition and will release a limited-edition T-shirt on January 16.

Key facts

  • Exhibition 'Judy Chicago: A Reckoning' opened December 4, 2018 at ICA Miami.
  • Judy Chicago, 79, led a press tour through the show.
  • Works span from the 1960s to the 1990s.
  • 'Sunset Squares' (1965) was destroyed and recreated for this exhibition.
  • Four car hoods from 1965 are displayed.
  • Chicago was the only woman in a class of 255 men at Los Angeles art school.
  • 'Heaven is for White Men Only' (1973) addresses gender and race intersections.
  • Three large canvases shown together for first time since 1984 critique male domination.
  • Embroidered works involve dozens of women and focus on childbirth.
  • A site-specific sculpture will be added in February 2019.
  • Max Mara sponsors the exhibition and commissioned a limited-edition T-shirt.
  • T-shirt launches January 16 in New York, Los Angeles, and Miami.
  • Maria Giulia Maramotti commented on supporting the show.

Entities

Artists

  • Judy Chicago

Institutions

  • Institute of Contemporary Art Miami
  • Max Mara

Locations

  • Miami
  • New York
  • Los Angeles
  • Chicago
  • Reggio Emilia

Sources