Joyce Kozloff's Cartographic Art Explores Politics and Decoration in Multiple New York Exhibitions

Art historian Jack Hartnell examines Joyce Kozloff's recent exhibitions across New York City, including her contributions to "Mapping Brooklyn." Kozloff, an original member of the 1970s Pattern and Decoration movement, integrates historical maps into her work to blend political commentary with decorative aesthetics. Her pieces rework cartography through patterns, collages, and mosaics, drawing attention to subjective interpretations of geography. Exhibitions featured her work at DC Moore Gallery from March 26 to April 25, 2015, the French Institute: Alliance Française from February 25 to April 25, 2015, BRIC from February 26 to May 3, 2015, and the Brooklyn Historical Society from February 26 to September 6, 2015. Key works include "Hidden Chambers" (1975-76), "If I Were An Astronomer (Mediterranean)" (2014), and "Targets" (1999-2000), a sculptural globe highlighting U.S. military sites. Kozloff's art challenges traditional art world norms by emphasizing craft, femininity, and narrative elements, as outlined in her 1976 statement "10 Approaches to the Decorative." Her consistent focus over four decades reflects a commitment to reshaping both geographical and artistic landscapes.