Jörg Immendorff's Artistic Evolution and the Secret of His Mad Formulas
Jörg Immendorff, often hastily categorized under New German Expressionism, began his career in the 1960s-70s with action art before returning to traditional painting. From 1974, he developed a consistent compositional type: a closed yet deeply recessed space with a high perspective and the mise en abyme of the image through a painting within the painting. In conjunction with an exhibition at the Centre Georges-Pompidou, Catherine Millet interviewed him about the artist-viewer relationship, the concept of the ready-made of history, and the lineage of Kurt Schwitters.
Key facts
- Jörg Immendorff is often labeled as New German Expressionism.
- He started in the 1960s-70s with action art.
- He later returned to traditional painting.
- From 1974, he established a consistent compositional type.
- His compositions feature a closed but deep space with a high perspective.
- He used mise en abyme, depicting a painting within the painting.
- An exhibition at Centre Georges-Pompidou prompted the interview.
- Catherine Millet interviewed him on artist-viewer relationship, ready-made of history, and Schwitters' lineage.
Entities
Artists
- Jörg Immendorff
- Catherine Millet
- Kurt Schwitters
Institutions
- Centre Georges-Pompidou
Locations
- Paris
- France
Sources
- artpress —