ARTFEED — Contemporary Art Intelligence

Jonathan Lasker's Ambivalent Abstractions at Cheim & Read Through February 13

exhibition · 2026-04-22

Jonathan Lasker's exhibition at Cheim & Read, on view through February 13, presents abstract paintings that defy easy interpretation. Emerging from the 1980s postmodern context, Lasker's work combines a rigid grid, primary structures, and nursery colors with dark symbolism, such as a cross and ambiguous forms. The artist's aesthetic oscillates between art-about-art microclimates and personal psychological readings, creating confected enigmas. A 2015 oil on linen piece, 'The Remnant of Spirit,' measures 75 by 100 inches. Critic David Cohen notes the difficulty in assessing Lasker's mood, comparing it to Pierre Bonnard's adage about happiness and singing. The show's final day coincided with a forecast of extreme cold, contrasting with sunny conditions outside.

Key facts

  • Jonathan Lasker's exhibition at Cheim & Read runs through February 13
  • Lasker is an abstract painter who emerged in the 1980s postmodern era
  • His work features grids, primary structures, and nursery colors
  • Dark symbolism includes a cross and ambiguous forms like a slice of bread or falling bomb
  • The painting 'The Remnant of Spirit' (2015) is oil on linen, 75 x 100 inches
  • Critic David Cohen authored the review
  • Cohen references Pierre Bonnard's saying about happiness and singing
  • The exhibition's last day was forecast to be the year's coldest but appeared sunny

Entities

Artists

  • Jonathan Lasker
  • Pierre Bonnard
  • David Cohen

Institutions

  • Cheim & Read
  • artcritical
  • artcritical.com

Locations

  • New York City
  • United States
  • 547 West 25th Street
  • New York

Sources