Jonathan Grossmalerman discovers 17th-century ancestor Johannes de Grootschildermanneke, painter of explicit works
In May 2016, Jonathan Grossmalerman, an artist, shared an intriguing narrative in ArtReview regarding a remarkable manuscript he came across. This 1623 Dutch text, titled "Atelier Van Schande," chronicles the life of Johannes de Grootschildermanneke, a painter from Delft who was a contemporary of Vermeer. Renowned for his lifelike still lifes, he transitioned in 1621 to creating large-scale depictions of vaginas, which gained popularity among the merchant class and royalty. Historical records indicate that the Delft city council arrested him for not paying a mule tax, leading to a death sentence that was later commuted to prevent flaying. The manuscript was sent by a person claiming to be Grossmalerman's "great uncle," Jaap de Grootschildermanneke. Grossmalerman regards de Grootschildermanneke as a symbol of artistic freedom, connecting his contributions to the beginnings of Modernism.
Key facts
- Jonathan Grossmalerman published this account in ArtReview's May 2016 issue
- He received a mysterious package containing a 1623 manuscript titled "Atelier Van Schande"
- The manuscript details the life of Dutch painter Johannes de Grootschildermanneke from Delft
- De Grootschildermanneke was a contemporary of Vermeer and initially painted realistic still lifes
- In 1621, he began creating large paintings explicitly depicting vaginas
- His explicit works became popular with merchants, aristocrats, and foreign royalty
- He was arrested by the Delft city council for failing to pay a mule tax and sentenced to execution
- A judge reduced his sentence, sparing him from flaying before his 1623 execution
Entities
Artists
- Jonathan Grossmalerman
- Johannes de Grootschildermanneke
- Vermeer
- Frans Hals
- Jaap de Grootschildermanneke
- Neal
Institutions
- ArtReview
- Delft city council
- painter's guild
Locations
- Delft
- Netherlands
- America