John Yau's 'The Wild Children of William Blake' Explores Occult Themes in Overlooked Artists
John Yau's 2017 book 'The Wild Children of William Blake' examines lesser-known artists and writers through the lens of the occult. Published by Autonomedia, this 264-page collection features essays on figures like Hilma af Klint, Philip Lamantia, and Katherine Bradford. Yau, a poet and critic who contributes to Hyperallergic's Weekend section, approaches art criticism with curiosity rather than academic rigidity. His writing emphasizes storytelling over formal analysis, seeking what's hidden in plain sight. The book includes discussions of William Tillyer's Bridge Paintings series from 1982-83 and references Odilon Redon's concept of 'the logic of the visible at the service of the invisible.' Yau's method involves daily art observation and writing practice, resulting in 96 Hyperallergic articles in 2017 alone. The collection contains illustrations of Jay Defeo's 'The Eyes' (1958) and Brian Lucas's 'Afternoon's Embryo' (2016).
Key facts
- John Yau published 'The Wild Children of William Blake' in 2017
- The book focuses on overlooked artists and writers through occult themes
- Published by Autonomedia with ISBN 1570273243 for $15
- Yau wrote 96 articles for Hyperallergic in 2017
- The 264-page book features six chapters
- Includes essays on Hilma af Klint, Philip Lamantia, and Katherine Bradford
- Discusses William Tillyer's Bridge Paintings series (1982-83)
- References Odilon Redon's concept of visible serving the invisible
Entities
Artists
- John Yau
- William Blake
- Philip Guston
- Bill Berkson
- Apollinaire
- Odilon Redon
- Robert Kelly
- William Tillyer
- Hilma af Klint
- Philip Lamantia
- Katherine Bradford
- Jay Defeo
- Brian Lucas
Institutions
- Autonomedia
- Hyperallergic
Locations
- Brooklyn