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John Berger's 1952 Review of Affandi Exhibition at London's Army and Navy Stores

opinion-review · 2026-04-20

In a review published on May 31, 1952, in Art News and Review, Volume IV, Number 9, art critic John Berger praised Indonesian artist Affandi's exhibition at London's Army and Navy Stores, deeming it the most important contemporary display since Picasso's 1945 showcase. Affandi, a self-taught painter born in Java in 1910, portrayed evolving Asian cultural perspectives through roughly fifty unstretched canvases on rough fabric, featuring landscapes, portraits, and everyday scenes. While some of the works seemed chaotic, Berger argued this was essential, highlighting Affandi's emphasis on engagement and the continuity of life, which he linked to the artist's experiences during Indonesia's fight against Japanese occupation and the struggle for independence from Dutch rule. The exhibition was scheduled to move to the Imperial Institute from June 9 to 14, 1952.

Key facts

  • Exhibition of Indonesian painter Affandi at London's Army and Navy Stores in 1952
  • John Berger described it as most important contemporary exhibition in London since war apart from 1945 Picasso show
  • Affandi born in Java in 1910, self-taught painter of genius
  • Approximately fifty unstretched, unframed canvases on coarse canvas
  • Subjects included landscapes, portraits, animals, and depictions of working people
  • Exhibition to transfer to Imperial Institute June 9th-14th, 1952
  • Berger's review first published May 31, 1952 in Art News and Review
  • Berger connected Affandi's approach to Indonesian resistance against Japanese occupation and war for independence

Entities

Artists

  • John Berger
  • Affandi
  • Picasso
  • Rembrandt
  • Goya

Institutions

  • Army and Navy Stores
  • Imperial Institute
  • Art News and Review

Locations

  • London
  • United Kingdom
  • Java
  • Indonesia
  • Asia
  • Europe

Sources