Joan Kee's 'The Geometries of Afro Asia' Reimagines Black and Asian Artistic Connections
Joan Kee, an art historian, presents a new perspective in her book, 'The Geometries of Afro Asia: Art Beyond Solidarity,' which employs geometric principles to reevaluate the connections between African and Asian artists, transcending Cold War frameworks such as the Bandung Conference of 1955. Released by University of California Press at a price of $85, the work challenges prevailing media narratives and ideological identities, utilizing mathematical ideas to illustrate cultural connections. Kee's analysis spans from mid-twentieth-century conflicts to modern geopolitical issues, including pieces like Joo Myung Duck's photography and Faith Ringgold's Buddhist thangka. While she advocates for a focus on sovereignty rather than solidarity, critiques arise regarding her treatment of Afro-Asian tensions, prompting discussions on the book's optimistic stance. Kee's geometric approach seeks to foster deeper dialogues.
Key facts
- Joan Kee is an American art historian
- The book is titled 'The Geometries of Afro Asia: Art Beyond Solidarity'
- It was published by University of California Press
- The hardcover price is $85
- Kee uses geometric concepts like transversality and adjacency
- Case studies include artists Joo Myung Duck and Faith Ringgold
- It critiques the 1955 Bandung Conference and Non-Aligned Movement
- Kee focuses on sovereignty rather than solidarity in art
Entities
Artists
- Joan Kee
- Joo Myung Duck
- Faith Ringgold
- Melvin Edwards
- Ron Miyashiro
- John Emmanuel Hevi
- Howardena Pindell
Institutions
- University of California Press
- ArtReview
Locations
- Los Angeles
- United States
- Asia
- Africa
- Japan
- China