Jewish Museum Presents Adolph Gottlieb Survey, Highlighting Pictographs as 20th Century Masterpieces
A survey exhibition of Adolph Gottlieb's work at the Jewish Museum reveals the artist's self-identification as a conceptual painter, challenging conventional distinctions between painting and conceptual art. The exhibition spans his entire career, beginning with early works influenced by Milton Avery and Giorgio de Chirico. It progresses through his most significant period—the pictographs of the 1940s—which the reviewer considers among the finest American paintings of the twentieth century. The show also includes transitional pieces from the early 1950s and concludes with the minimalist, large-scale canvases he produced in the late 1960s and early 1970s. While the exhibition presents this full chronological range, the critical focus rests on the pictographs, arguing for their exceptional quality and importance within Gottlieb's oeuvre and American art history.
Key facts
- Adolph Gottlieb considered himself a conceptual artist
- The exhibition is a survey of Gottlieb's career at the Jewish Museum
- Early paintings show influence from Milton Avery and Giorgio de Chirico
- The pictographs from the 1940s represent Gottlieb's most interesting phase
- Transitional works from the early 1950s are included
- Late works feature minimal, large canvases from the late 1960s and early 1970s
- The reviewer focuses analysis on the pictographs
- The pictographs are described as among the best American paintings of the 20th century
Entities
Artists
- Adolph Gottlieb
- Milton Avery
- Giorgio de Chirico
Institutions
- Jewish Museum
- artcritical