Jefferson Pinder's Afro-Cosmonaut/Alien (White Noise) Video Explores Civil Rights Through Myth
Jefferson Pinder's video work Afro-Cosmonaut/Alien (White Noise) presents an escapist narrative culminating in destruction as the protagonist falls to Earth after a mystical space journey. The piece draws parallels to the Icarus myth, with a brilliant zenith leading to an epic fall. Pinder incorporates a white-faced Butoh-inspired performance, positioning it as a metaphor for civil rights legacy. He appears within the work himself, inviting viewers to observe images of propulsion and power. The video takes inspiration from experimental films. Curator's Office in Bethesda, Maryland, represents the artist and describes the work. The entry was posted on February 28, 2017.
Key facts
- Jefferson Pinder created Afro-Cosmonaut/Alien (White Noise)
- The video is an escapist narrative ending in destruction
- The protagonist plummets to Earth after a space journey
- It references the Icarus myth from Ancient Greece
- Features a white-faced Butoh-inspired performance
- Serves as a metaphor for civil rights legacy
- Pinder appears within the work
- Curator's Office in Bethesda, Maryland is Pinder's gallery
- Posted on February 28, 2017
- Draws from experimental films
Entities
Artists
- Jefferson Pinder
Institutions
- Curator's Office
- artcritical
Locations
- Bethesda
- Maryland
- United States