Jean-Marc Chapoulie's Alchimicinéma: A Theory of Raw Cinema
Since 2001, Jean-Marc Chapoulie has been creating works under the title Alchimicinéma, which fuses lectures, performances, projections, and installations. A newly released book from Les Presses du réel compiles elements of his approach, offering a fresh perspective on cinema through technical, social, and historical viewpoints. Chapoulie champions 'unexperienced cinema'—including amateur films, family videos, corporate productions, and newsreels—contrasting it with experimental cinema. He perceives conventional cinema as an overlooked archive of genuine experimentation. His influences include various artists and professionals, suggesting a counter-narrative to cinema's history that highlights lesser-known figures alongside the Lumière brothers and filmmakers like Jean Nolle. Emphasizing 'monsters, chimeras, bastards,' he utilizes 'brocante' methods, film cut-ups, and automated montages. Alchimicinéma represents a film without conclusion.
Key facts
- Jean-Marc Chapoulie has been producing Alchimicinéma sessions since 2001.
- The book 'Jean-Marc Chapoulie, alchimicinema' is published by Les Presses du réel.
- Chapoulie champions 'unexperienced cinema' over experimental cinema.
- He collects films to create a Duchampian ready-made revolution for cinema.
- The amateur is described as an 'indispensable complement' to the professional.
- Chapoulie's pantheon includes Jean Nolle and Godard.
- He rejects hierarchies of taste and genre.
- Alchimicinéma is defined as a film without end.
Entities
Artists
- Jean-Marc Chapoulie
- Marcel Duchamp
- Jean Nolle
- Jean-Luc Godard
- Auguste Lumière
- Louis Lumière
Institutions
- Les Presses du réel
- ZKM
- INA
Locations
- France
Sources
- artpress —