Jean Lauxerois's 'La Beauté des mortels' Examines Greek Thought for Modernity
Jean Lauxerois's book 'La Beauté des mortels' (Desclée de Brouwer) collects seven essays subtitled 'Essai sur le monde grec à l'usage des hommes d'aujourd'hui.' Most were written alongside translations of Greek classics by Homer, Sophocles, Plato, and Aristotle. The essays engage with thinkers Friedrich Hölderlin, Friedrich Nietzsche, Martin Heidegger, Walter F. Otto, and Kostas Axelos. Lauxerois argues that modern humans know they will die but no longer understand mortality as their very being, having lost the sense of finitude as a blessing. The world, no longer inhabited, is now a space to be technically mastered and devastated. Beauty, since the birth of aesthetics in 1750, is merely subjective feeling. The book does not mourn a lost past but insists on living a present whose origins are unknown, acknowledging that roots will forever be lacking. However, being cannot exist without memory. Beauty once inhabited the world but has now deserted it; amicability has been replaced by the familiarity of consensus. The book is described as scholarly, readable, and as limpid as the lights we lack. The review is by Francis Wybrands.
Key facts
- Jean Lauxerois is the author of 'La Beauté des mortels'.
- The book is published by Desclée de Brouwer.
- The subtitle is 'Essai sur le monde grec à l'usage des hommes d'aujourd'hui'.
- Seven essays are collected, mostly written alongside translations of Homer, Sophocles, Plato, and Aristotle.
- The essays engage with Hölderlin, Nietzsche, Heidegger, Otto, and Axelos.
- Lauxerois argues modern humans know they will die but are no longer 'mortels' in the Greek sense.
- Beauty became subjective with the birth of aesthetics in 1750.
- The review is by Francis Wybrands.
Entities
Artists
- Jean Lauxerois
- Homer
- Sophocles
- Plato
- Aristotle
- Friedrich Hölderlin
- Friedrich Nietzsche
- Martin Heidegger
- Walter F. Otto
- Kostas Axelos
- Raymond Queneau
- Francis Wybrands
Institutions
- Desclée de Brouwer
Sources
- artpress —