Janet Fish's luminous still lifes at D.C. Moore Gallery blend domestic poetry with feminist clarity
From February 9 to March 17, 2012, the D.C. Moore Gallery in New York City presented 'Janet Fish: Recent Paintings', which included twelve still lifes created between 1999 and 2009. Fish, recognized for her rich color choices and expressive brushwork, transformed ordinary objects into stunning subjects. Her artistic heritage is notable, with influences from her grandfather, American Impressionist Charles Voorhees, and her mother, sculptor Florence. Growing up in the Caribbean may have influenced her exploration of light. During her time at Yale in the 1960s, she learned under the guidance of Alex Katz and Philip Pearlstein. Key works such as 'Blue Decanter, Polka-Dot Bowl, Suzani' (2009) and 'Balloons' (1999) exemplify her vibrant, hyper-realistic approach and feminist perspective.
Key facts
- Exhibition 'Janet Fish: Recent Paintings' ran from February 9 to March 17, 2012
- Held at D.C. Moore Gallery, 535 West 22nd Street, 2nd Floor, New York City
- Featured a dozen still lifes spanning 1999 to 2009
- Janet Fish is a veteran realist known for opulent palette and free paint application
- Her grandfather was American Impressionist Charles Voorhees; mother Florence was a sculptor and potter
- Fish studied with Alex Katz and Philip Pearlstein at Yale in the 1960s
- Works include 'Blue Decanter, Polka-Dot Bowl, Suzani' (2009) and 'Balloons' (1999)
- Fish's still lifes blend poetic and political elements with feminist clarity
Entities
Artists
- Janet Fish
- Charles Voorhees
- Florence Fish
- Alex Katz
- Philip Pearlstein
Institutions
- D.C. Moore Gallery
- Yale
- DC Moore Gallery
- artcritical
Locations
- New York City
- United States
- Soho
- Vermont
- Caribbean
- New England