James Walsh's Textural Paintings Challenge Abstraction Norms at Spanierman Modern

From April 25 to June 8, 2013, Spanierman Modern Library showcased James Walsh's exhibition, which included seven small paintings notable for their thick, sculptural paint application. In contrast to many contemporary abstract artists who favor thin layers, Walsh combines pigment with molding paste, applying it by hand and using tools such as wood blades and wallpaper brushes. The textured surfaces feature dynamic swoops, blobs, and swirls that evoke cake frosting or turbulent water. Pieces like "Jolts" (2012) focus on paste rather than color, while "Black Bottom" (2012) does the opposite. Initially appearing excessive, "Colorbook: Paularry" (2012) ultimately emerged as a standout work. Since his 1985 debut at Galeria Joan Prats, Walsh has participated in over fifty group exhibitions and five solo shows. The critic observed a notable restraint in this exhibition compared to his previous works, which often struggled with excessive paste and color combinations. The venue was located at 53 East 58th Street, New York City.