Jaime Lauriano's Historical Revisions and Institutional Acquisitions in Brazilian Contemporary Art
Jaime Lauriano, an Afro-Brazilian artist, initiated his artistic journey in 2007 following his studies in visual arts at Faculdade Belas Artes. His creations examine themes of labor and land exploitation within Brazilian history. In 2016, his installation 'Nesta Terra Em Se Plantando Tudo Dá' was acquired by the Pinacoteca do Estado de São Paulo, enhancing his visibility. Tadeu Chiarelli bought the piece after viewing it at Galeria Leme's 2015 exhibition, which subsequently led to the museum acquiring more works by Afro-descendant artists for the 'Territórios' exhibition. Additionally, Lauriano's 2014 video 'Morte Súbita' critiques nationalistic fervor during the World Cup, while his 2016 piece 'Calimba' incorporates newspaper headlines about lynchings, linking historical colonial violence to modern events.
Key facts
- Jaime Lauriano is a Brazilian contemporary artist who began his practice in 2007.
- The Pinacoteca do Estado de São Paulo acquired his installation 'Nesta Terra Em Se Plantando Tudo Dá' in 2016.
- Tadeu Chiarelli, the Pinacoteca's artistic director, made the acquisition.
- Lauriano's work reinterprets Brazilian history through labor, land domination, and state formation.
- He researches public archives in Rio de Janeiro and São Paulo for source material.
- His 2014 video 'Morte Súbita' critiques the use of sport for patriotic exaltation.
- Lauriano's 'Calimba' (2016) uses stamps with lynching headlines to link colonial and contemporary violence.
- He advocates for collective networks among Afro-Brazilian artists, citing Sonia Gomes, Emanoel Araújo, and Paulo Nazareth.
Entities
Artists
- Jaime Lauriano
- Sonia Gomes
- Emanoel Araújo
- Paulo Nazareth
- Tadeu Chiarelli
Institutions
- Pinacoteca do Estado de São Paulo
- Faculdade Belas Artes
- Galeria Leme
- Centro Cultural São Paulo
- Centro Cultural do Banco do Brasil do Rio
- Ateliê 397
Locations
- São Paulo
- Brazil
- Rio de Janeiro
- Vila Madalena