Jacques Charlier's 'Léda ou la fascination du signe' Explores Perverse Image Use
Since his early career, Belgian artist Jacques Charlier has used parodic mimicry to expose the perverse ways art and society manipulate images under the tyranny of fashion and the modern imperative for novelty. His work 'Léda ou la fascination du signe' marks a decisive turn, revisiting myths and figures revived by fin-de-siècle anxiety.
Key facts
- Jacques Charlier is a Belgian artist.
- His work employs parodic mimicry.
- He critiques how art and society pervert images.
- Fashion and the modern demand for novelty drive this perversion.
- 'Léda ou la fascination du signe' is a key work.
- The work revisits myths and figures.
- These myths are revived by fin-de-siècle anxiety.
- The work represents a decisive new direction.
Entities
Artists
- Jacques Charlier
Sources
- artpress —