Iulia Nistor's 2014 Solo Exhibition Explores Wanderer's Uncertainty Through Multi-Part Installations
In 2014, Iulia Nistor presented a solo exhibition that delved into themes of uncertainty across two levels of a gallery. The ground floor comprised two rooms featuring various installations such as paintings, tape wall drawings, and artist books. The paintings offered bird's-eye views, while the wall drawings took on a three-dimensional constellation-like appearance. The artist books documented Nistor's method of choosing points from reproductions and transforming them into wall drawings. The exhibition bore the titles 'i. primind cadere Ochiul acum sprijina alta se-nvirteste intre' and 'ii. primind cadere Ochiul acum sprijina intre se-nvirteste alta,' which questioned the construction of meaning. Meanwhile, the basement displayed works focused on materiality, including abstract shapes and a circular tunnel installation. ArtReview featured a review of the exhibition in its December 2014 issue.
Key facts
- Iulia Nistor's solo exhibition occurred in 2014
- The exhibition was two-part, spread across two gallery floors
- Ground floor installations featured paintings, tape wall drawings, and artist books
- Paintings used bird's-eye views with recognizable forms and everyday objects
- Wall drawings resembled three-dimensional constellations extending onto floors
- Artist books revealed Nistor's process of transferring points from paintings to book pages
- Titles offered four interpretation options through nonsensical poetic word groupings
- Basement works included paint lines on plastic film and a circular tunnel installation
Entities
Artists
- Iulia Nistor
Institutions
- ArtReview
Locations
- Nuremberg