Italian exhibitions can compete internationally, but strategy is needed
An analysis of blockbuster exhibition data from 2016-2017 shows Italy's top ten exhibitions attracted 3,746,160 total visitors, the highest among countries, but this figure is skewed by Christo's The Floating Piers on Lake Iseo. Excluding that event, Italy ranks fourth in total visitors (2,546,160) behind the UK (3,659,974) and seventh in average daily visitors (6,304) far behind France (22,809). Domestically, the Uffizi Galleries hold the top two spots for most visited exhibitions, followed by the Venice Biennale. The data suggests Italian museums benefit from up-selling: visitors who come for the museum are more likely to pay for exhibitions. The article argues for a systemic approach where major attractions act as hubs directing visitors to other city venues, rather than competing. It concludes that Italy can become a reference point for international exhibitions with a clear strategic vision.
Key facts
- Italy's top ten exhibitions in 2016-2017 had 3,746,160 total visitors, highest globally
- Christo's The Floating Piers on Lake Iseo skewed the data with record attendance
- Excluding Christo, Italy ranks fourth in total visitors (2,546,160) behind UK (3,659,974)
- Italy ranks seventh in average daily visitors (6,304) far behind France (22,809)
- Uffizi Galleries hold first and second place for most visited exhibitions in Italy
- Venice Biennale ranks third in Italy
- Italian museum visitors tend to engage in up-selling, paying for exhibitions after museum entry
- Article advocates for a systemic approach with major attractions as hubs
Entities
Artists
- Christo
Institutions
- Gallerie degli Uffizi
- Biennale di Venezia
- Il Giornale dell'Arte
- Artribune
- Monti&Taft
Locations
- Italy
- Lake Iseo
- United Kingdom
- France
- Venice