ARTFEED — Contemporary Art Intelligence

Italian Cultural Industries Struggle to Scale Due to Fragmented Markets

opinion-review · 2026-04-27

Stefano Monti analyzes why Italy's cultural and creative industries (ICC) fail to expand, contrasting fragmented sectors like independent video game development and museum services with industrial ones like publishing and audiovisual. He notes that many ICC sectors are characterized by low demand, excess supply, and micro-enterprises competing locally, while large players dominate nationally. Monti uses Feltrinelli's acquisition of Scuola Holden as an example of vertical integration in publishing, rare in other cultural sectors. He argues that small ICC firms rarely possess unique patents or licenses that attract acquisition, leading instead to non-binding partnerships where large firms exploit pricing power. Monti suggests that public policy could incentivize extraordinary finance operations to foster integration and growth in underserved cultural markets.

Key facts

  • Italian cultural and creative industries show divergent development across sectors.
  • Many ICC sectors have low demand, excess supply, and are dominated by micro-enterprises.
  • Publishing and audiovisual sectors are more industrialized with significant revenues.
  • Feltrinelli acquired Scuola Holden, extending its vertical integration from author training to retail.
  • Vertical integration strategies are rare in cultural industries due to small firm size and lack of unique assets.
  • Large firms often form non-binding partnerships with small suppliers rather than acquiring them.
  • Public sector could play a role in defining market rules and incentivizing acquisitions.
  • Monti is a partner at Monti&Taft, specializing in management and economic consulting.

Entities

Artists

  • Alessandro Baricco

Institutions

  • Feltrinelli
  • Mondadori
  • Giunti
  • Scuola Holden
  • Emme Effe libri
  • Monti&Taft
  • Artribune

Locations

  • Italy

Sources