Issue #68 of arte!brasileiros explores decolonial art, memory politics, and Brazilian cultural resistance
The 68th issue of arte!brasileiros magazine delves into contemporary art through decolonial perspectives. In 'Pinacoteca migrante,' Agustin Pérez Rubio examines the functions of museums. Luciara Ribeiro, Ceiça Ferreira, and Vitória Soares highlight the Sertão Negro Ateliê e Escola de Artes in Brazil. Leonor Amarante presents the Trienal de Tijuana, featuring artists from 14 nations. Fabio Cypriano critiques 'História potencial' by Ariella Aïsha Azoulay, which tackles colonialist themes. Vanicleia Silva Santos and Renata Felinto explore the narrative of the Black heroine Dandara. Maria Hirszman reviews exhibitions focused on African knowledge. Eduardo Simões covers the 38th Panorama da Arte Brasileira, titled 'Mil graus,' at MAC USP. The edition includes an editorial by Patricia Rousseaux and a list of contributors.
Key facts
- Issue #68 of arte!brasileiros magazine has been published.
- The editorial is written by Patricia Rousseaux.
- Agustin Pérez Rubio authored an essay on museums titled 'Pinacoteca migrante: quando os museus se esqueceram de ser jardins.'
- Sertão Negro Ateliê e Escola de Artes is a project in central Brazil based on principles from terreiros, suburbs, and quilombos.
- The Trienal de Tijuana in Mexico features artists from 14 countries with gender equity.
- Ariella Aïsha Azoulay's work 'História potencial' proposes unlearning and repair against colonialist narratives.
- The 38th Panorama da Arte Brasileira, titled 'Mil graus,' is held at MAC USP.
- Lia Colombino, director of Museo del Barro, discussed the museum's founding contexts.
Entities
Artists
- Ariella Aïsha Azoulay
- Mario Pedrosa
Institutions
- arte!brasileiros
- Sertão Negro Ateliê e Escola de Artes
- Trienal de Tijuana
- MAC USP
- Museu de Arte Moderna de São Paulo
- Museo del Barro
Locations
- Brazil
- Mexico
- Tijuana
- São Paulo