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Isidoro Pennisi on the Epistemological Crisis of Architecture

opinion-review · 2026-05-04

Isidoro Pennisi argues that architecture faces a deep epistemological crisis, where the very concept of 'project' has lost its meaning. He critiques the debate over Palazzo dei Diamanti in Ferrara and the Genoa bridge controversy as symptoms of a broader misunderstanding of what it means to build. Pennisi contends that architecture has been voluntarily enlisted into the realm of art and representation, abandoning its role in shaping reality and culture. He calls for a 'retroguardia' (rearguard) rather than an avant-garde, to defend architecture's cultural and professional repositioning. The essay references Vittorio Sgarbi, Luigi Prestinenza Puglisi, and Gianluca Peluffo, and touches on the tension between conservation and transformation. Pennisi, born in Catania in 1962, has lived in Puglia and Calabria.

Key facts

  • Isidoro Pennisi published an opinion piece on architecture and project in Artribune.
  • The article discusses the epistemological crisis of architecture.
  • Palazzo dei Diamanti in Ferrara and the Genoa bridge are cited as examples.
  • Pennisi critiques the debate between Prestinenza Puglisi and Sgarbi.
  • He argues the term 'project' has become empty and meaningless.
  • Architecture is voluntarily enlisted into art and representation, losing its purpose.
  • Pennisi calls for a 'retroguardia' to defend architecture's cultural role.
  • Isidoro Pennisi was born in Catania in 1962.

Entities

Artists

  • Isidoro Pennisi

Institutions

  • Artribune
  • Palazzo dei Diamanti

Locations

  • Ferrara
  • Italy
  • Genoa
  • Catania
  • Puglia
  • Calabria

Sources