Isidore Isou's Scandalous Film 'Traité de bave et d'éternité' Revisited
On August 20, 1951, Isidore Isou unveiled his film 'Traité de bave et d'éternité' at Cannes as part of a fringe event. Drawing inspiration from Dada and futurism, the film served as a political statement, crafting alternative cinematic realities. Isou presented a chaotic blend of visuals, featuring himself on Boulevard Saint-Germain, snippets of military footage, and gymnastic routines intertwined with a love narrative. He sought to achieve a jarring effect by mismatching the audio and visuals. This innovative work paved the way for filmmakers like Debord and Godard, showcasing a bricolage that continues to resonate. After thirty minutes, Isou's voice in the credits hints at a more humorous second segment, complemented by improvised lettrist choruses that form a conceptual art dance. Written by Jean-Marc Chapoulie.
Key facts
- Isidore Isou premiered his first film 'Traité de bave et d'éternité' on August 20, 1951.
- The screening took place at Cannes as a fringe event.
- The film was influenced by Dada and futurism.
- Isou used found footage from French army trash bins.
- The film features Isou wandering on Boulevard Saint-Germain.
- Isou intentionally created a discrepancy between sound and image.
- The film influenced Guy Debord and Jean-Luc Godard.
- The film includes looped lettrist choruses.
Entities
Artists
- Isidore Isou
- Maurice Lemaître
- Guy Debord
- Jean-Luc Godard
- Jean-Marc Chapoulie
Institutions
- éditions RE:VOIR
- artpress
Locations
- Cannes
- France
- Boulevard Saint-Germain
Sources
- artpress —