ARTFEED — Contemporary Art Intelligence

Isidore Isou's Scandalous Film 'Traité de bave et d'éternité' Revisited

publication · 2026-04-23

On August 20, 1951, Isidore Isou unveiled his film 'Traité de bave et d'éternité' at Cannes as part of a fringe event. Drawing inspiration from Dada and futurism, the film served as a political statement, crafting alternative cinematic realities. Isou presented a chaotic blend of visuals, featuring himself on Boulevard Saint-Germain, snippets of military footage, and gymnastic routines intertwined with a love narrative. He sought to achieve a jarring effect by mismatching the audio and visuals. This innovative work paved the way for filmmakers like Debord and Godard, showcasing a bricolage that continues to resonate. After thirty minutes, Isou's voice in the credits hints at a more humorous second segment, complemented by improvised lettrist choruses that form a conceptual art dance. Written by Jean-Marc Chapoulie.

Key facts

  • Isidore Isou premiered his first film 'Traité de bave et d'éternité' on August 20, 1951.
  • The screening took place at Cannes as a fringe event.
  • The film was influenced by Dada and futurism.
  • Isou used found footage from French army trash bins.
  • The film features Isou wandering on Boulevard Saint-Germain.
  • Isou intentionally created a discrepancy between sound and image.
  • The film influenced Guy Debord and Jean-Luc Godard.
  • The film includes looped lettrist choruses.

Entities

Artists

  • Isidore Isou
  • Maurice Lemaître
  • Guy Debord
  • Jean-Luc Godard
  • Jean-Marc Chapoulie

Institutions

  • éditions RE:VOIR
  • artpress

Locations

  • Cannes
  • France
  • Boulevard Saint-Germain

Sources