Isabelle Borges Returns to São Paulo with Synthetic Fields at Galeria Emmathomas
Isabelle Borges, an artist based in Berlin, showcases her solo exhibition Campos Sintéticos at Galeria Emmathomas in São Paulo, under the curation of Ricardo Resende. This marks her return following her 2013 exhibition Seta do Tempo at MUBE. Having lived in Berlin for twenty years, Borges enhances the medium of painting with spatial interventions, collages, and objects, drawing inspiration from both Brazilian and German artistic heritages, especially Concretism. This movement, which flourished in the 1960s with Max Bill at the Ulm School of Design, influenced Brazilian artists like Lygia Clark and Amilcar de Castro. In Campos Sintéticos, attendees encounter a temporary spatial intervention that complements the paintings, incorporating themes from Jorge Luis Borges's The Garden of Forking Paths.
Key facts
- Isabelle Borges presents solo show Campos Sintéticos at Galeria Emmathomas in São Paulo.
- Curated by Ricardo Resende.
- Borges has lived in Berlin for two decades.
- Exhibition marks return to São Paulo after 2013 show Seta do Tempo at MUBE.
- Her work expands painting through spatial interventions, collages, and objects.
- Practice influenced by Brazilian and German artistic traditions, especially Concretism.
- Concretism peaked in 1960s, taught by Max Bill at Ulm School of Design.
- Borges's paintings use mathematical calculations as foundation, similar to origami.
Entities
Artists
- Isabelle Borges
- Ricardo Resende
- Max Bill
- Lygia Clark
- Amilcar de Castro
- Franz Weissmann
- Lygia Pape
- Jorge Luis Borges
Institutions
- Galeria Emmathomas
- MUBE – Museu Brasileiro da Escultura e Ecologia
- Ulm School of Design
- MIT – Massachusetts Institute of Technology
Locations
- São Paulo
- Brazil
- Berlin
- Germany
- Ulm
- Massachusetts