Irving Sandler's 2009 book reexamines Abstract Expressionism's American identity and scholarly debates

Irving Sandler's 2009 book, "Abstract Expressionism and the American Experience: A Revaluation," takes a fresh look at Abstract Expressionism during its formative years, from 1942 to 1952. Published by Hard Press Editions in partnership with the School of Visual Arts and Hudson Hills Press, this work serves as an update to his earlier piece, "The Triumph of American Painting." Sandler delves into why some artists gained recognition, linking the movement's American origins to themes found in Western films—228 of which were produced by Hollywood. He suggests classifying Barnett Newman, Mark Rothko, and Clyfford Still as Color-Field painters, which could be confusing. Additionally, he connects Jackson Pollock's style to emotional depth and international turmoil, although some critics argue his views might be outdated and narrowly focused.