International Pop Exhibition Reinterprets Movement Through Disconnection and Intimacy
Curators Darsie Alexander and Bartholomew Ryan present a fresh interpretation of Pop art in their exhibition International Pop. Their approach emphasizes disconnection rather than seamless flow, highlighting how artistic migrations and networks faced frequent translation, blockage, or interruption. While U.S. mass media served as source material for numerous artists, it was often repurposed toward distinct objectives. Contrary to narratives focusing on distance and irony, this exhibition reveals a Pop moment characterized by intimacy, politics, and desire. The article, written by Alex Kitnick, was published on October 5, 2017. Content is accessible through MIT Press under a subscription model.
Key facts
- The exhibition International Pop offers a new reading of Pop art.
- Curators Darsie Alexander and Bartholomew Ryan emphasize disconnection over flow.
- Artistic migrations and networks are shown as translated, blocked, or interrupted.
- U.S. mass media provided source material that artists reworked for other ends.
- The exhibition highlights intimacy, politics, and desire over distance and irony.
- Alex Kitnick authored the article on October 5, 2017.
- Content is available via MIT Press with subscription access.
- The article is published on ARTMargins Online.
Entities
Artists
- Darsie Alexander
- Bartholomew Ryan
- Alex Kitnick
Institutions
- MIT Press
- ARTMargins Online
Locations
- United States