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Inscape Group Exhibition at Kraupa-Tuskany Zeidler, Berlin

exhibition · 2026-07-31

The group exhibition 'Inscape' is currently on display at Kraupa-Tuskany Zeidler in Berlin, curated by Emanuela Anders, Sigrid Hermann, Luzie Naters, and Isabelle Thul. This showcase features both established and emerging talents, delving into the concept of 'inscape'—a notion introduced by Gerard Manley Hopkins and Roberto Matta—focusing on complex internal landscapes influenced by gender and power dynamics. Participating artists include Josephine Rothäuser (b. 2001, Berlin) with her textile pieces 'o.T.' (2025) and 'Die Hand' (2026); Aline Schwibbe (b. 1988, Berlin) showcasing layered photographs; and Kea Bolenz (b. 1998, Berlin) presenting graphite works, among others.

Key facts

  • Kraupa-Tuskany Zeidler in Berlin presents 'Inscape', a group exhibition curated by the gallery team.
  • The exhibition explores the concept of 'inscape', derived from Gerard Manley Hopkins and Duns Scotus, and later used by Roberto Matta.
  • Works treat interiority as terrain, with space conceived as a product of intersecting stories shaped by gender and power.
  • Artists include Josephine Rothäuser, Aline Schwibbe, Kea Bolenz, Caroline Douville, Ant Łakomsk, Gala Lillian Glotzbach, Antonia Nannt, and Klaudia Schifferle.
  • Josephine Rothäuser's textile works 'o.T.' (2025) and 'Die Hand' (2026) emerge from cycles of destruction and reconstruction.
  • Aline Schwibbe's works include 'Weathers' (2025) and 'Brutal Darling' (2025), layering photographs onto velvet.
  • Kea Bolenz's graphite works 'Der Mitschnacker ist die Nächstenliebe' (2025) and 'Heterosexuality 2' (2026) depict dense, swarming bodies.
  • Caroline Douville's works 'Haiti December 24th 1945' (2023) and 'Preparing the poison' (2025) reference voodoo traditions.
  • Ant Łakomsk's painting 'Bela' (2026) subverts a self-portrait by Béla Czene.
  • Gala Lillian Glotzbach's works 'good girl gone silent' (2025) and 'Let me rest' (2026) reflect on colonial histories and alienation.
  • Antonia Nannt's sculptures merge tables with skirts, referencing Marie Antoinette.
  • Klaudia Schifferle's photographic collages 'MetalGirls I' and 'MetalGirls II' fragment the female body into hybrid forms.
  • The exhibition is curated by Emanuela Anders, Sigrid Hermann, Luzie Naters, and Isabelle Thul.

Entities

Artists

  • Josephine Rothäuser
  • Aline Schwibbe
  • Kea Bolenz
  • Caroline Douville
  • Ant Łakomsk
  • Gala Lillian Glotzbach
  • Antonia Nannt
  • Klaudia Schifferle
  • Gerard Manley Hopkins
  • Duns Scotus
  • Roberto Matta
  • Béla Czene
  • Marie Antoinette

Institutions

  • Kraupa-Tuskany Zeidler
  • Daily Mail

Locations

  • Berlin
  • Germany
  • Montreal
  • Canada
  • Warsaw
  • Poland
  • Zurich
  • Switzerland
  • Haiti

Sources