Inhotim's Public Mission, Venice Biennale's Wartime Context, and Berlin's Global Wounds Mapping

Inhotim is strengthening its public character, while contact with art provides respites for incarcerated populations. The work of Bispo and its lineages is examined. The Valongo site faces abandonment issues. The Venice Biennale unfolds as a dream amid ongoing war. Kassel has become a hub for exchanges. Museums are undergoing a painful learning process. An invitation is extended to reappropriate attention. Berlin is mapping the world's wounds through artistic and cultural initiatives.