Inhotim's 2024 programming emphasizes integration with Brazilian artists and cultural debates

Inhotim's 2024 programming centers on integration as its guiding principle. Grada Kilomba presents a monumental, performative, and sculptural installation described as a 'nau' at the institution. Paulo Nazareth creates work at Inhotim that engages with history and territory, positioning it as a crossroads of multiple temporalities. The Oficina Brennand offers new cultural residencies, continuing its tradition of working with clay and water in rural settings. A book publication highlights 20 promising visual artists, showcasing a spectrum of contemporary Brazilian art. The concept of 'arte sertão' emerges as a form of experimentation and resistance in the Brazilian hinterlands. A debate featuring Júlia Rebouças and Durval Muniz examines the sertão region and its conceptual significance. These activities collectively explore Brazilian identity through artistic practice and critical discourse.